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Bendigo Pottery history

   



George Duncan Guthrie

 

George Duncan Guthrie (born 1828), who would be played by Sean Connery if there were a movie, was the indomitable Glaswegian who, having arrived penniless on the South Australian shore following a shipwreck, tried his luck in the goldfields, failed to find gold but discovered instead a deposit of fine white clay, and then started one of Australia’s most illustrious potteries in 1857 and ran it, with interruptions that seemed necessary only to demonstrate everyone else’s incompetence, almost until his death in 1910.
   The history of Bendigo pottery is documented in Paul A. Scholes’ Bendigo Pottery (ISBN 0 909706 60 3). Scholes writes:

The late Jack Dehne, probably one of the best throwers Bendigo Pottery ever had, remembered Guthrie as a man who gained respect because of his continual demand for first class workmanship. He would march up to the thrower's wheel, pull out his rule and run it along the board of freshly thrown articles. If one was too small, or too tall, he would demolish the lot with a stroke of his walking stick and say dryly ‘Start again boy!’

Bendigo produced a wide range of domestic and industrial wares over its long history.  A company letterhead from 1895 reads, “Manufacturers of Bristol, Stone, Cane, Rockingham, White, Majolica, Terra-Cotta, and Fancy Wares; also Drain Pipes, 3 to 24 inches Diameter.” 

 

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Click image to enlarge.


Early 20th c Australian jug, 21 cm high (16549 bytes)

 

    Strong, rugged brown Rockingham-glazed jugs and teapots for the home were a standard commodity for Australian pottery manufacturers during the late 19th and early 20th century. The half-gallon jug at left, made from white clay and twice-dipped in Rockingham glaze (top and bottom), with a purple band where the glaze is doubled, was found in country Victoria. (The brown Rockingham colours come from iron oxides, and the blue-purple overtones result from manganese in the mix.) Whether this speciman was made at Bendigo pottery is uncertain, but it is repesentative of the kind of domestic pottery made there for decades. 
    Over the years, the Bendigo works provided training for potters whose names became known throughout the history of Australian pottery: the wage sheets include Becketts and Travenas among many others; John Campbell, founder of the Launceston pottery, gained experience at Bendigo, as did many of his helpers.
    Bendigo’s most notable years for decorative pottery were the 1880s. Richly coloured cheese covers and plates, jugs, bread plates, garden urns, umbrella stands and similar domestic ware from this period can be seen at the National Museum of Australian Pottery at Wodonga, and are beautifully illustrated in Geoff Ford’s Australian Pottery, the First 100 Years (Salt Glaze Press, 1995), ISBN 0 646 12501.

 

Below, a Bendigo Langley ware jug, and a price-list page from about 1933. Copies of Bendigo Langley ware, popular for its durable leadless glaze, were made by most major Australian potteries in the ’twenties and ’thirties.



Bendigo Langley ware jug, 3/4 pint size

Bendigo Langley ware price list






 

    It was at Bendigo in 1915 that the factory foreman, Jack Gare, developed from the local clays a popular red-brown line of tableware known as Langley ware. (A Langley ware jug and a pricelist are shown at left.) The directors soon asked Gare for a copy of his glaze recipe. Scholes writes: “Gare refused to comply with the directors’ request for the recipe and reluctantly the directors dispensed with his services.” It is easy to imagine that the occasion was more colourful than is admitted in Schole’s account. Gare’s successor in the glazing department, named Lederbak, further improved Gare’s leadless glaze, and Langley ware continued as Bendigo’s most successful and widely copied line for thirty years. Jack Gare opened his own pottery works at Castlemain and  made  Langley ware to compete with Bendigo. Later he took his knowledge and glaze formulas to  Bennett’s pottery in Adelaide.
    Bendigo pottery is now a National Trust property, and operates a tourist museum and ceramics school while still producing souvenir pottery.

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Bendigo pottery workers, 1923. Note interesting fashion accessory (bottom row).

Bendigo_1923.jpg (34695 bytes)
Illustrations of price list and workers courtesy Paul A Scholes, Bendigo Pottery (Lowden Publishing, 1979) ISBN 0 909706 60 3